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See full summary » An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel.
The Ephron character, Rachel is a food writer at a New York magazine who meets Washington columnist Mark at a wedding and ends up falling in love with him despite her reservations about marriage.
In the third act she is without a single line or note to perform, and yet a central character transformed as much as Parsifal himself.
I'm sure she could meet the challenge of performing in silence with impressive creativity.
Next day, Fran visits his wife and children and meets a grandson. Helen gets their things out of storage and finds a hotel.
Streep got first billing and Nicholson was second billed in Heartburn (1986), whereas in this movie, it was the reverse with Nicholson getting top billed and Streep following next after.As in all great scripts, this libretto is open ended in a way that would afford a freedom of interpretation any actor would sign on for. Back in 1977, before Broadway singers were miked, she did Lillian Holiday in Happy End and was a knockout vocally. But a Parsifal movie would not require the vocal heft required to fill the 4,000 seat Met opera.In fact, one was surprised later when she chose to do non-musical roles. Moreover, computers do amazing things these days to add and subtract age.Francis Phelan and Helen Archer are bums, back in their birth city.She was a singer on the radio, he a major league pitcher.
In addition to her Helen Archer, We have her femme fatale, Jill, in Manhattan, Madeline Ashton, a woman cursed with a Kundry-like longevity, like that of Emilia Marti from The Makropoulos Case, albeit actively sought and dearly paid for. Yes, she will be required to sing high B and low B on the same word, Lachte.